Summary
A seasoned visual developer and animator formerly based in Los Angeles CA, Lauren is a seasoned visual developer who's past work includes Wildbrain, Netflix, Rooster Teeth, and Shockwave. With a varied skillset of rigged character animation, asset design, (award-winning) storyboard, color and revision.
Currently, they are experimenting with the implementation of 3D modeling in projects for their YouTube channel with over 120k subs.
Skills
Software proficiency
Productions
- MovieZsazsa Zaturnnah vs. The Amizonistas from Planet X
- Year2026
- RoleColorist
- CompanyShockwave Animation
- TV ProductionNDA Production
- Year2024
- RoleBackground revisionist
- CompanyNetflix
- TV ProductionPitch Bible, NDA.
- Year2023
- RoleVisdev.
- CompanyWildBrain
- TV ProductionThe Ship It Show
- Year2022
- RoleVideo editor
- CompanyRoosterteeth
- MovieQueer Fish in God's Waiting Room
- Year2022
- RoleScene compositor, animator.
- CompanyAdrian Pasdar, filmmaker
- TV ProductionBand of Mythix
- Year2021
- RoleVisual Developer
- CompanyZak Wood
Experience
- Animation , visdev at Surfer JackLos AngelesNovember 2021 - May 2022
Lead in character/environment animation for 2d productions. Worked along Swampy Marsh and Bernie Peterson with use of Moho, Toon Boom.
- Editor, asset designer at RoosterteethLos AngelesMay 2022 - Present
Video editing, and compositing for Roosterteeth's podcast, The Ship it Show. With Tara Strong, and Greg Cipes.
- Syllabus Asset Designer at OSU State UniversityOkmulgee, United States of AmericaMarch 2018 - May 2018
For their digital culinary syllabus, I was brought on to provide personalized mascots and graphics to head each lesson, and footnote.
- Graphic Designer at Jandebeur's MotorsportsOkmulgee, United States of AmericaOctober 2017 - May 2018
Topographical research, in conjunction with the park's map I was hired to design.
The theme park needed a unique revamp of its map after installing new attractions, and I was required to tour the grounds face-to-face, get a feel for the area in person, and compare it to their aerial bird's eye. While also implementing space for our sponsor's logos during the process.